Zero Latency, Natural Phase and Linear Phase processing modes (New) Per-band Stereo, Left, Right, Mid or Side mode (New) Additional Brickwall slope for the High Cut and Low Cut filters 6-96dB/octave slopes for all filter types Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt (New) Up to 24 bands with a huge range of filter types Professional mastering-grade EQ plugin with exceptional sound quality Pro-Q 3 will appear in the list of Audio Unit extensions for effect plug-ins in the host app. To use Pro-Q 3 as a plug-in, you need an AUv3-compatible host app like Auria, AUM or Cubasis. The Pro-Q 3 app filters the microphone input and plays it back in real-time. Innovative features like Spectrum Grab and collision detection together with its intelligent interactive EQ display make Pro-Q 3 an absolute joy to use. With its unique Natural Phase mode, it matches both the magnitude and phase response of analog EQing perfectly. In addition to working as a standalone application, the synthesizer can work as a VST or AAX plugin for audio programs that support this technology (e.g., Cubase or FL Studio).FabFilter Pro-Q 3 is a top-quality EQ plug-in with up to 24 bands, perfect analog modeling, dynamic EQ, linear phase processing, and a gorgeous interface with unrivalled ease of use. This means that the FM8 can be used as an effect processor, for example in concert activities or studio recording. When using a professional sound card as well as an ASIO driver, the latency may be around 2 milliseconds. There is also a preset editor in the program, where you can get your own unique sound by setting up modifiers. In addition, the user will have at their disposal a virtual effect rack, where effects such as distortion, chorus, reverb, panning and many others can be combined in any order. The latest version of the built-in instruments has 1200: from dynamic electronic organs to the emulation of strings, wind instruments and various electronic instruments. You can press the keys and the program will synthesize the sounds of the selected instrument. If a MIDI-keyboard is connected to the computer, the program will work with it, if not, then with a regular computer keyboard. Like its iron colleague, the FM8 has piano-like keys, but only virtual ones. Originally it was designed as a digital analogue of the Yamaha DX7 synthesizer, which was popular in the eighties and nineties of the last century and had a large set of instruments, as well as an unusual and memorable sound. FM8 is a program that can emulate frequency modulation of a sound wave.
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